志异 Draft by Drama box July 2014 (english) | Page 27

Jack Neo and the Vicious Circle Some days it doesn’t take very much. An announcement that Jack Neo is making a new movie is all it takes for me to lose hope. It is proof, once and again, that the people in power – and I don’t just mean political power, but also financial and cultural power – are able to force anything down our throats – the worst things – and we would still hunger for more, simply because we are grateful to have been given anything at all. However, as is the case with so many Singaporean artists, it didn’t take long before the state co-opted Neo’s power over the people. Now, often funded by government agencies and sponsored by corporate money, Neo’s films are thinly veiled propaganda pieces for both the government and big corporations. Of course, one could argue that Neo’s films were like this all along, that his social commentary was just a pretext Don’t get me wrong. I had nothing against Jack Neo. In fact, I used to really admire his films. Which other Singaporean filmmaker could command so much attention from the very society he was criticising? In his films, I saw a genuine love for the people, for all our flaws and idiosyncrasies. His films discussed what were often perceived as our trivialities – our stinginess, greed, competitiveness, etc. – as if they were grave political matters. Neo explored the very real fears of the people – losing the means to support our family, becoming addicted to materialism, falling through the cracks of a ruthless education system. He did something the state never could – he took the people seriously. DANIEL HUI : JACK NEO & THE VICIOUS CIRCLE for advertising. But the degree of enthusiasm for state authority displayed in his recent films – the Ah Boys to Men films for example – along with their ideology of the total sublimation of self for the sake of the state causes one to fall into despair. The most upsetting thing for me is not Neo’s change of heart; it is, rather, the audience who laughs along with his sick jokes and sycophancy. As disgusted as I was 27