Yawp Mag ISSUE 19 Getting Ready for the Comedy Festival | Page 31

#$ For MICF % ? low-to-mid level disasters can occur: "Some tech will break, tech will go missing, props tape and some throat lozenges." Thompson is there for emotional support too: "Even the celebration of good reviews and commiseration of poor ones. It's all part of the job." While Thompson says that in the lead-up she does most tasks herself, again, in the days before and during the festival, she is supported by a strong team. "I have two venue managers, Jo Bain and Ben Vernel who will take care of the Provincial and the Duke [of Wellington] respectively during the festival. We also have a team of about 40 volunteers Expanding the team during the festival stresses the importance of communication. For instance, at the Imperial Hotel, small tasks need to be communicated and ensured: the box and double counted, rooms reset, chairs straightened and an all-round tidy-up. It's enough to tie up Thompson for the whole festival. "What surprises people the most is shows. I watch bits at the Imperial Hotel but very rarely a whole show." Another behind-the-scenes identity is Jo O'Callaghan from TS Publicity which is the an empty room or venue in Melbourne without looking at how many people it might seat and ask if it might be available in April." From a more overall perspective, O'Callaghan makes it a point that each venue is given its due care, due diligence to make the place cater for the comic's show and the audience's experience. "The diversity of our venues both of the venue but also the shows that might each room." With that in mind, it then becomes about the some of the key issues to tackle include programming and contracting artists, permits, building stages, drawing venue plans and maps, and even designing lighting and rigging. Really, it's enough to make your head spin. In light of all that, are there any tips to smooth out the process? "Spreadsheets, lists and don't be afraid to use thinly-veiled threats if you need something," Thompson says. Luckily, the audience does not need to think about the stern operations end of comedy. Instead, as the audience, all you at the funny parts, and enjoy the show as well as the venue. how much goes into making the festival run without issue. Working full time on the task brains recoded when it comes to venues, < >