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re) passed to Giovanni
Baroni, who adapted the
style of the ceramics to
Neoclassicism. New manufacturing competitors
appeared in Veneto in this
period, with Sebellin in Vicenza and Fontebasso in
Treviso.
By the mid-century, the
production
underwent
a period of crisis that fostered the creation of the
so-called “folk ceramics”
that led to the formation
of a new decorative genre. Indeed, in 1859 Antonio Cecchetto’s manufacturing company began
successful production of
ceramics with folk decora-
tions. The production was
characterised by the use of
the cheapest earthenware,
which was decorated quickly using sponge stencils
and templates depicting
popular themes and figures related to religious
traditions, popular myths,
the seasons, the months
and work in the fields.
There were also plenty of
decorations featuring soldiers, ladies and famous
people, complete with patriotic writings and quotes.
Nine new manufacturers were established in
Nove in the second half
of the nineteenth century.
After the two wars, cera-
mics also experienced a
happy period in terms of
production and exports
(especially to the United
States and Germany), which saw many leading manufacturing
companies
rise on the wave of economic progress.
The Ceramics
Different compositions of
minerals are used to blend
into a paste depending on
the type of material to be
produced.
Porcelain is composed of
kaolin and feldspar, whereas earthenware uses
clay, calcium carbonate,
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