We the Italians July 18, 2016 - 81 | Page 84

th tH # 81 JULY 18 , 2016 object of art. The shapes and its relations seem to have a vector ascent, as in the computer graphics of the beginning of this century: but in the taste emerges a great style setting of a hundred years ago, reworked in the extreme synthesis of juxtaposition of shapes and bright colors. # 81 juLY 18 , 2016 city or to the use of the building, which is then reported by the artist in an ironic and figurative way. In Civitavecchia we find "Il Civitavecchio"; in the old fish warehouse in the Roman borough Ostiense we find "Fish 'n ' kids"; in Gaeta we have "L'Arenato" (The Stranded) " and in Ronan Rebibbia prison we have "Punti di fuga" (Vanishing Points). Agostino Iacurci is a modern artist. At the age of 30 he is already present in many cities around the world with his distinctive trait of irony, his very personal ratio of color-form, a recognizable and always enjoyable style, both in the external works in contact with the pedestrian / user / customer but also and especially with the small size works, which hold intact the spirit of self-deprecating neurosis of today's citizens, as his last exposure There is also a kind of genius loci in his has been able to highlight. We will hear external works, a clear reference to the again a lot about him, in the future. His distinctive trait lies in the fact that even if he belongs to street art, he never creates aggressive nor angry works. His strength comes from the decorative power, always pleasant and never disorganized, with many messages to be processed primarily in the analysis of human relations, psychology: the man who takes refuge in his own fantasy world to defend himself from the ultra modern. read more about #The Italian Way THE ITALIAN WAY: Discovering Italy Differently By Elda Buonanno Foley ries pilgrims from all over Europe would take to reach St. Peter’s shrine in Rome. There are several paths that could be followed, with the most popular being the “Via Francigena” that starts from the Alps (Gran San Bernardo Mountain) in “Valle d’Aosta”, and after 1,015 kilometers along small towns (Ivrea, Vercelli, Fidenza, Pontremoli, Lucca, Siena, just to name a few) reaches Rome in 45 stops. Or the “Via Romea Germanica” that starts in the Brennero mountains (Trentino However, this article does not want to Region) and in 46 stops and 1,020 kilomake rhetorical points or going into the art section that explores the sites of Italy in this magazine and elsewhere: I wish, rather, to illustrate how there are other ways to appreciate the cultural, anthropological, social and extremely diversified identity in its local and regional perspective while discovering Italy differently. As I have often indicated in my articles while talking about the Made in Italy concept, art and tourism are two of the main reasons that attract millions of people to visit our country. However, it seems that the average tourist seems to be stuck with Rome, Florence, and Venice as the only cultural centers to list in their visit. There is so much to see and visit in Italy that an entire magazine would not be sufficient. As a matter of fact, it is becoming extremely popular in the last 15 years to travel in our Bel Paese while walking, biking and riding horses along the so called “Spiritual paths” that for centu- 84 | WE THE ITALIANS WE THE ITALIANS | 85 www.wetheitalians.com www.wetheitalians.com