VISION Issue 46 | Page 9

9 Vision’s Peter Hyatt spoke with design principal Luke Johnson of Architectus to discover the ideas behind a building of remarkable rhythms and finesse: VISION  This building is so completely different to its neighbours and indeed most universities. It’s gentler, visually and physically accessible and treads lightly. LUKE JOHNSON  The Incubator is really a transformational piece of architecture on this campus. It’s one characterised by a legacy of concrete buildings very beautiful in their own way, but anchored in a period of time. Part of our brief was to turn that all around and to really create a place and a space that would facilitate people coming together, working randomly, not really knowing who they were going to meet, but with the aim of accelerating their business ideas. With that we wanted to integrate university research, industry partners, and of course students, because students can have the best ideas, too. How would you define The Incubator’s role? It was designed to foster and nurture young businesses and their great ideas. Its campus location is within the Macquarie Innovation Precinct where it can draw upon the skills and expertise of industries located around the university, as well as from the experts available within research departments. Let’s not forget students on campus either to facilitate the acceleration of those start-ups out into the marketplace as successful businesses. Do you have a highlight moment? There’s three really standout moments of experience in this building. The first one is at the entry with a pivoting large-scale door. That really draws people’s breath away when it opens and offers a gene rous and engaging entry experience. They’re suddenly aware of stepping across the threshold into a new space. Then there’s a great internal view connecting the two pavilions, and it’s a very unusual proportion that expresses a sense of transition from one place to another. And thirdly, I really love the corners of these buildings because they all open out to the landscape, and they all respond in a very sensitive way to the bringing together of materials, and in this case it’s glass coming together.