VISION Issue 43 | Page 11

11 Julian Brenchley spoke with Vision’s Peter Hyatt about a series where clever technologies, bold materials and contestant ambitions need to fuse into the single brilliant moment to realise art as commerce. What is the one constant for you about working on The Block? It’s a lot of fun. I love seeing what the contestants do inside the houses, how they interpret the architecture, how they bring another interpretation to it, how they see things compared to how I see them. That’s part of the fun of it and life and living. There’s a lot of eyes on this so it’s intense. The central idea behind this year’s series is an industrial look. Can you elaborate on that? I’m not one for a style. How I like to interpret these things is how you use materials to create either a look or a form, but it’s not a style. In this instance we’ve used materials to create a look but it’s not an intentional style grab. We’re looking at something with a deep-set integrity and a very strong, honest materiality. CLICK TO HEAR JULIAN BRENCHLEY IN CONVERSATION