VISION Issue 41 | Page 13

13 Was this one of those ‘Ahaah’ moments, to discover that the city hadn’t really connected with the bigger picture? Many people forgot about Moe’s physical attractions. In the building you hear people saying, “Whoa, what a fantastic view!” So, it was quite deliberate in its form and it does respond, I believe, to its context. It was also deliberately formed onto the main street, and the plaza wraps nicely into the train station connection. It is bold but some areas are very gentle. This could easily pass as the very grand, modern residence rather than civic building. That’s to do with scale. We were very keen to spread the butter thinly on the toast at ground level. We could have had a more compact square, or form but it wouldn’t have engaged as well with a broader community and city, so the ground floor is deliberately stretched to have maximum interaction with the shops on both sides. The upper level is pushed to a more volumetric feel for a broader visual impact. Those two approaches hopefully make it feel like a very comfortable building. It’s obviously quite a task getting user circulation zones right because you don’t want to dominate, protrude or exclude building functions. We’re not ones for great, long corridors, for example, with lots of little rooms off them. We prefer to blend break-out spaces, circulation and functional space into the one zone. The stairs, for example, are directly in axis with the main street to Mount Baw Baw, so every time visitors use those stairs, they look through those windows and in winter see a snow capped mountain. In a library, in a community building, you want to feel comfortable and say to yourself “I can go into that space. I don’t have to ask permission.” How do you assess whether this type of project is truly successful? You know they’re successful when the community takes ownership. It has become their building and from day one we’ve picked that up when people walk around and enthuse about their building. So, a successful community building is not about winning architectural awards, it’s really about people having a legacy, which they’re proud of and they enjoy using. Reading rooms are accessed by a floating Viridian glass floor that accentuates transparency and the transition to cantilevered reading ‘cubes’.