Some of that glass is still a performance glass
because you’re obviously getting sun penetration
to the north and in the child care area into the east
on the main hotel lobby. This is a pretty expansive
wall of glass although there is some overhang near
the gardens.
We didn’t want the glass too dark or tinted. The
philosophy of the glass specification is to do with
ensuring there is a natural visual connection with
the gardens. I would say that most architects will
try to use clear glass in order to get better colour
rendition and minimal interference between inside
and out. Certainly in this instance, we didn’t want
a patchwork, or kaleidoscope of different colours
appearing from room to room.
What you touched on earlier is really that role
of natural light for wellness and recovery – and
memorable experience. Here we understand
that this isn’t just another global hotel;
it is about a subliminal experience.
I think really good architecture provides for a certain
level of intimacy. A lot of current architecture you
see, certainly in Australia, is difficult to understand
and in a simplistic way, is difficult to love. I certainly
struggle to connect with it. Good architecture
invites you to take ownership of it and to feel
connected to it. That is the difference between
real architecture and that of a simple building.
Credits
Project: Larwill Hotel Melbourne
Client: The Arts Hotel Group
Architects: Bates Smart
and Billard Leece (in JV)
Builder: Lend Lease
Window supplier/installer:
Viridian, Iain Kennedy
Glass Supplier: Viridian
Principal Glazing Products:
ThermoTechTM E Double Glazed Units