VISION Issue 14 | Page 17

17 Left and below A pull-down bed provides guest accommodation and the versatility of an extra entertaining space. Sliding frameless Viridian glazing makes a brilliant site relationship. In a more built up urban setting many elements of your pavilion wouldn’t be entirely practical. Isn’t the point that many of these elements might be transferable to other, more typical settings that you work in? Every site has a unique set of characteristics and attributes and it’s about taking advantage of the opportunities each site has to offer and responding to a different array of issues. It’s looking at constraints and opportunities and really understanding the best solution from an experiential point of view. That partly answers my next question which is, is it all about the view or is it about something else, that other intangible quality that exists in quite timeless architecture? I guess it’s a search for the human experience. I don’t think it’s all about the view. It’s more the holistic idea. We’re providing a space or an opportunity for another experience that may not be initially apparent. From an existential point of view, it’s about that human experience of contemplation and a place to dream. What do you think distinguishes good design and architecture from standard practice? That’s a good question. It’s a tough question. I think good design needs to respond to scale, the human scale and height of the human body, where the touch and feel of surfaces is important, Good design also offers flexibility. There is an obvious lack of ‘stuff’, of gadgets that is quite Zen-like. You really pare everything back. It’s forgetting about the plasma television and the clutter with which we fill our lives. Absolutely. That’s a challenge with every job. How do you convince somebody they don’t actually need so much ‘stuff’ and to appreciate something for what it is as a space. It’s really an appeal for simplicity.