VISION Issue 42 | Page 28

VISION 42 — THE RETURN OF RADIANCE What about how occupants experience the space? Glass is the material that creates the connection. The glazing links the views from the new house to the church and the courtyards, glazing creates a through and through effect. Wherever you are in the house you can see the church. Without the visual link, you could have a contemporary house without a church. There would be no point. A standout is the detailed glazing around the church columns in critical junction of new and old. That’s the talking point. There’s a few talking points about the house but that’s what everyone sees first. People are blown away. Even people who don’t know anything about architecture, you look at the glazing cut around the bluestone columns and you think, how is that done, it’s almost impossible. I think Viridian felt the same. The outcome is phenomenal and I was excited when they came to watch the installation. This glass detail brought the project to life and was a critical moment. Glazing is obviously so important for comfort. What’s really critical is that you get enough glass in a building, because without that, there’s just no way you could achieve such a beautiful environment. How was your experience overall working with Viridian to achieve such non-standard, prototype results? Viridian and the glazing team excelled. What they achieved was extraordinary. It was a very difficult project in terms of working around the existing columns. Then there was the infill of the massive archways with glass which they had never done in a residential situation before. Those curved frames posed some difficulties, but the outcome is remarkable. Viridian, the glaziers, builders and I put a lot of effort into resolving the glazing details. Clearly you can see the result is amazing. Dizzy complexity made simple with a rare, jeweller’s clarity and eye whereby glass flows around complex stonework and bluestone arches.