WHAT BECAME CLEAR IS THAT ONE BILLION RISING HAS BEEN TRANSFORMED from what began as a worldwide creative dance protest into a more nuanced act of collective defiance, which uses art as a powerful political tool for resistance and protest. A colorful, diverse and highly creative celebration of local and global solidarity, OBR brought people across the world to dance with rage against all forms of violence – not only sexual and gender violence, but also the violence of poverty, inequality, exploitation and marginalization that result from international capitalist and imperialist systems that cause and perpetuate poverty, unprecedented forms of labor, economic and sexual exploitation, human and sex trafficking, state sponsored wars, militarization and internal and international displacement that render countless vulnerable. OBR activists highlighted where these systems support each other in the continuing oppression of targeted groups, including women, children, Indigenous communities, migrants, workers, youth, peasants and LGBTQGNC. Leading up to 14 February, 2016 – and through International Women’s Day on 8 March and beyond – activists around the world held OBR events that called everyone to “Rise For Revolution”. They called all sectors, in all countries, to hold their institutions of authority and justice accountable for ending the culture of impunity and violence – including the media, schools, local and national governments, religious centers, and international bodies such as the UN. Oppressive sectors that preserve systemic violence were targeted fiercely this year, calling into wider public attention institutional and state violence. Global activists danced with genuine rage against both local issues as well as the intersecting international structures that sustain systematic oppression. Around the world, the call for revolution was a thundering demand for justice and system change.