TRAKS MAGAZINE TraKs Magazine #1 | Page 20

newtraks a bit more epic and also with some characteristic of anthem: for example a chorus, but also some exciting rides of guitar. Eastern Europe is the watershed of the ep and proposes rhythms high which contrasts with a pointed guitar. Oswald, with some echo and some effect, turns up the volume without losing control. Soft explosion slows down a bit, offering to guitars the way to offer a more sweet side of themselves, but the song grows up: we become increasingly aware that the end of the record will not be peaceful or pacified. There is definitely a remarkable mastery of the elements in the field by Divide By Zero, who know the terrain on which they move and put together an ep definitely enjoyable. We can hope for the next episodes that the band completes the process that can lead to having a style all of their own. Divide by Zero W ith a declared passion for music from the triangle Editors-Interpol-The National, but also for the post-punk of 80s, Divide by Zero began their adventure in 2014 and now they published the first self-titled ep . The core of the band comes from other groups from Ravenna (Pitch, Silvermood, Mr. Nothing, Renudo). The members are: Christian Amatori, Davide Benelli, Carlo Andrea Ceccoli, Luigi Palestini, Nicola Rambelli. It starts with Your favorite bones, sounding quite basic which, besides the aforementioned bands, is influenced also by something à la Depeche Mode, especially in the introduction. No superpowers comes with CLICK HERE AND LISTEN TO “DIVIDE BY ZERO” 20 REVIEW D ebut name is In a State of Altered Unconsciousness: this is the title of new record of Earthset, band born in Bologna in 2012: the album is published by Seahorse Recordings and distributed by Audioglobe / The Orchard. After a first demo-ep in 2013 and two years to propose in concert their repertoire in major venues in Bologna and at The Good Ship in London, the band comes out with a concept album of ten tracks . Overture opens with very sweet and gentle tone, while Drop turns a bit in acid, with math rock on the background. The two lines (math rock, not excessive complications) are also confirmed by The Absence Theory, which looks a lot like a rock song altogether. rEvolution of the Species opens the way to some change of pace. Acoustic guitar and romantic attitudes surprise the listener in Epiphany, but by again it the song resumes running and hammering. So What ! evolves as a playful song but the final goes on darker tones. Skizofonia opens with a beat, but then evolves in an almost symphonic piece overtly psychedelic. Gone proceeds along more direct influences toward grunge and 90s with something of the Smashing Pumpkins emerging here and there. A.S.T.R.A.Y. walks on trails that remind somehow the neo-prog, with long guitar solos and various evolutions. And the piano Earthset opens Lovecraft: you proceed in misty land; the contrasts, especially those caused by the guitar, are very strong. The long suite (over seven minutes) of Circle Sea shows an epic construction, underscored by a brief aside spoken. There is good and inventive power in Earthset, able to present a consistent lp. CLICK HERE AND LISTEN TO “EARTHSET” 21