TRAKS MAGAZINE TRAKS MAGAZINE 012 ENG | Page 22

interview Let’s say that the style has always been more or less that, that is punk with pop and alternative influen- ces. A couple of years ago I spent a period of complete abstinence from the music and then resumed writing and now I’m with the solo debut. What does the title of your re- cord mean? During the production of the cd I often went to Glauco Gabriel- li, the artistic producer, to record after the morning shift, so metimes I had so full of balls to wake up early that for a period I started to postpone the alarm until it became impossible, at six and twenty-seven precisely (instead of six) was the pinnacle of this... We just missed going to work in my pajamas. One day I told Glauco about this and decided that the title was suppo- sed to be Seieventisette. This record was born and finished in a period of my life quite delicate, beautiful and also “asshole” in some ways, post-adolescence, being married, having responsibilities, turning Perina Pop and “author” songs are in the debut of Michele Perina, Seie- ventisette, rich in versatility and colors. Do you want to tell your story? Since I was 16/17 years I have always played in the band, first with Just Another Illusion and then for several years with the Camp Lion (an album and an ep to report). 22 thirty and a whole set of doubts, fears and hopes that have marked it particularly and that I think we all have to go through. I think the six and twenty-seven on the alarm is emblematic of how I lived in part that stage... (“Fuck the duties, I just want to sleep fuck!!!”). How was the process of making the record? Substantially, the formula closest to me is more or less the same, guitar voi- ce strop and refrain, but this record was born and grew in a different way from what I expected. It happened that among the material selected to compose the album there were also only 30 seconds of a melody that suggested something good, or a more complete song that then became quite another thing... Then that same material was taken and developed at the pc. Let’s say that the process was a bit this, and for those who know it is precisely the influence of the producer and friend musician Glauco Gabrielli, passed in time from an alternative rock scene to a more electro- nic and hip hop. Can you tell something about the genesis of “Innegabile bra- vura”? “Innegabile bravura” is a song that I’m particularly proud of, it came out in 5 minutes and re- mained more or less the same. During production Glauco was able to impro- ve it considerably with the addition of the piano and the drum machine... Once finished I could not wait to make a video. It is a song that manifests itself as a confessional for me, it speaks of fears and torments. If you had to choose three and only three albums that particu- larly influenced you, wich ones would you indicate? Enema of the state of Blink 182, Siamese Dream of Smashing Pum- pkins and Morning Glory of Oasis. But I would put in many and many more! 23