Tone Report Weekly Issue 79 | Page 12

ZINKY TRUE GRIT Bruce Zinky is a mysterious figure in the music gear industry, mostly because tracking down his info can be difficult, and not because he lives in a cave, far away from the Internet. Before starting his own company, Zinky was an amp builder at Fender’s Custom Shop before starting his own company in 1996. The man has released two pedals in that time, the Master Blaster and the True Grit. The Master Blaster, while a great pedal in its own right, is a boost, whereas the True Grit is an overdrive and boost in one. When plugging into the True Grit, players will notice that there is a knob for Gain as well as Grit. The Gain knob functions like one would expect, and the Grit knob adjusts the amount of uppermidrange harmonics. It’s a pretty unique control that isn’t found on many other pedals. The “boost” is more like a channel switcher in that the footswitch toggles between high and low gain modes—the Boost side certainly doesn’t sound like a boosted version of the main tone, that’s for sure. Without the Boost engaged, the True Grit does what it sounds like; it’s a nice, balanced overdrive that won’t muck up your amp, and the tuning ability of the upper midrange harmonics is a nice touch—the unit is clearly made for users that typically don’t shop for effects pedals in pawn shops. However, because of the virtual obscurity of the name, that’s where they show up—quite the paradox. At any rate, hunters shouldn’t pay over $60 for a piece of the Rooster Cogburn signature overdrive. 12 TONE TALK // SOMEHOW THESE WEIRD PIECES GRAVITATE TO PAWN SHOPS, FROM GREY CARPET-COVERED CRATE AMPS TO OFF-BRAND DRUM KITS AND EVERYTHING IN BETWEEN.” “ 5 Pawn Shop Scores: Overdrives