Tone Report Weekly Issue 158 | Page 44

PLAYER: D. BOON BAND: MINUTEMEN San Pedro, California’s Minutemen was the fiercely eclectic and uncompromisingly political soul of the early Southern California hardcore scene. From the very start, the band’s music bore little resemblance to rote hardcore, with disparate influences that ranged from Blue Öyster Cult and Creedence Clearwater Revival to Gang of Four. The rhythm section of Mike Watt and George Hurley cooked up manic, intricate musical fisticuffs, which were punctuated by the dissonant chordal chop and hip lines of their guitarist and vocalist, the late, great D. Boon. Boon’s playing style was completely unique, blending the rapidfire pace and unhinged aggression of hardcore with bluesy skronk and deeply funky rhythmic sensibilities. His rather extreme approach to guitar tone further set him apart from his punk and hardcore contemporaries, as his was surprisingly clean and always razor-sharp. D’s glistening, knife-edge guitar sound was the result of his guitar (usually a Fender Tele or Gibson Melody Maker) plugged straight into a cranked Fender Twin with the treble maxed and the bass and mids rolled completely off. This unorthodox setup would sound like hell in the hands of any other guitarist, but in the mighty paws of D. Boon, it was hardcore heaven. Essential listening: “Shit From An Old Notebook,” from Minutemen’s Double Nickels On The Dime. 44 TONE TALK // 5 Hardcore Guitarists You Should Listen to Right Now