Tone Report Weekly Issue 158 | Page 24

24 a mass amount of clean headroom, but it can provide gritty jangle and roaring classic rock tones courtesy of the included treble boost. If you’re a purist, plug in a Telecaster, dime the gain and master volume, hit that treble boost, and play until you’re the last one left in the room. If you opt for the combo version, but want to pump it through a larger speaker, it includes a speaker output jack for matching with your favorite cabinet. It also has a line output, making it friendly for bedroom studio recording. If you’re looking for a traditional Fender sound, this isn’t it, but that’s a good thing. You could create an affordable dual-amplifier setup big on tone by running a Pro Junior and the Bassbreaker 007 side by side. Use an amp switcher to alternate between the two, and you’ll get some nice, classic Fender semi-cleans, as well as blistering British rock and roll. This is one killer little combo. Like the Blues Junior, it is powered by a single 12-inch speaker, and uses EL84 power tubes. Unlike the Blues Junior, it is a ripping rock machine, capable of high-gain shred. Fender deserves major credit for their implementation of the Gain Structure switch, which allows users to alternate between low, medium, and high gain settings. Low offers sounds akin to the Juniors we know and love, and with a dash of the included digital hall reverb, you can approximate classic Fender TONE TALK // Packing Heat: Exploring Fender’s Smaller Amps