and the Bias off, the Your
Mom was bright and sharp,
emphasizing the mids and
highs perhaps a little bit
too much for my taste. I
found that I had to drop
the overall level and roll
back the Input to find a
tone that satisfied my fuzzy
needs, even after switching
from the bridge to the
neck pickup. Fiddling with
the Input setting helped
greatly, all owing me to find
a comfortable base from
which to explore the sounds
on offer from the Fuzz and
Bias controls. That said,
the lower-output pickups
quickly allowed the biasing
to overpower it, making
the last half of its range
less useful.
This was not the case with
my Stratocaster, a hard
tail with a stacked, coiltapped humbucker in the
bridge and Alnico pickups
in the neck and middle.
The Your Mom just loved
every combination I tried;
where it was a bit bright
and raw with my LP, it was
lively and clear with my
Strat, and every twist of
the Bias produced fuzz that
was usable and musical.
My favorite setting had
the Bias just a few ticks
above off, the Level at 9
or 10 o’clock, and the Fuzz
and Inputs knobs dimed,
creating a fuzz-soaked but
creamy and compressed
tone, reminding me of a
cranked tube amplifier. The
dynamic range of the pedal
shrunk massively as well, but
who cares? The same thing
happens with the amp, and
I was blown away with how
great it sounded, even at a
reasonable volume.
WHAT WE LIKE
The number of tones
available are legion. The
natural compression when
cranked is gorgeous.
CONCERNS
More responsive to single
coil or hotter pickups.
Lack of a tone control
means those looking for
a darker sound might be
disappointed.
Yellowcake’s Your Mom
fuzz is exactly what the
name implies, an OD-Fuzz
that gleefully thumbs it
nose at the other pedals on
the playground. It’s snide
and snotty but capable of
dialing in a huge range of
fuzz while maintaining that
character. The lack of a tone
control may not appeal to
the doomier among us,
but for punks as well as
desert, garage, and other
hard rockers, it might be an
fantastic choice.
ToneReport.com
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