Tone Report Weekly Issue 157 | Page 16

Catalinbread Adineko They did it again. Catalinbread built another delay pedal based on an old, esoteric delay machine none of us even knew we wanted. The Adineko is based on old “oil can” delay devices, but in the classic Catalinbread fashion, the re-created the tones of a classic device while adding extra features and modern dependability. The original oil can delays were made by Teisco, Gibson, and even Fender. They were definitely cool sounding. But they were also noisy, offered very little delay time, and sometimes broke and leaked their PCB-laden oil generating whole generations of mutant superheroes and Toxic Avengers. The Adineko is 16 TONE TALK // Best Effects of 2016 best described as a cross between reverb, delay, and vibrato. It can do all of these things and more at once. It doesn’t do clean and precise echoes. It does vibe and serious mojo. The knob labeled Balance pans between two delay lines—one short and one long. The blend between the two and how they interact is where the magic of the Adineko lies. The Viscosity governs the vibrato and Reverb, and, oddly enough, is the feedback control. There are hundreds of sounds in the Adineko waiting to be unleashed. The only way to really grasp the Adineko is to spend a few hours, days, weeks, or more with it.