Tone Report Weekly Issue 154 | Page 12

Tube Screamer Tube King TK999US Of course, we cannot proceed without addressing the Tube Screamer. I would never be so foolhardy and elitist as to snub this, the original overdrive. You see, before the TS-808 was released in the late ‘70s, the idea of overdrive as we know it today did not exist. Other, earlier pedals were referred to as overdrives (including a couple of preTS Ibanez models), but in sound and circuitry these devices more closely resembled fuzz boxes than the smooth, mid-heavy saturation that the Tube Screamer generates. It was the one of the first stompboxes designed specifically to mimic the sound of a tube amp running at full tilt. This was quite a revolutionary concept at the time, and it continues to influence the development of guitar effects even today. Real TS nerds love to go back and forth about the finer points of every Tube Screamer variation, but the fact is most of them sound pretty much the same. Ibanez makes many excellent versions, including hand wired, mini, bass, and vintage models. Most players are aware that the Tube Screamer, though it does feature the word “tube” as part of its name, does not actually have a tube in it. Ibanez did, however, make a dirt box with a 12AX7 in its heart, and this was the TK999US Tube King. The original nineties Tube King (which bears little resemblance to the red, diamond-shaped reissue that came out in the aughts) was designed by the illustrious BK Butler for Ibanez, and is itself just a slight variation on BK Butler’s legendary Tube Driver. It’s a marvelous pedal, and excels at turning just about any clean amp into a firebreather. It features gain, volume, and three-band equalization controls, and can get a range of tones, from light, glistening break-up to molten chunk. The Tube King’s 12AX7 tube can also be swapped for a 12AU7, which tames the gain a bit, rounds off the hairy edges, and gives it a somewhat more controlled and refined personality. Used OG Tube Kings can be had for between 100 and 150 dollars all day long (they do require a slightly weird power supply though, so make sure it’s included). 12 TONE TALK // The Legacy of Ibanez in Five Pedals