Tone Report Weekly Issue 140 | Page 16

MICROVERB I I know, this isn’t a pedal. However, it can be! There’s a “Defeat” jack on the back of the unit that accepts a footswitch, this becomes the unit’s bypass function. The Microverb was released in 1986, and this decade exemplified the height of digital reverb units. For how much space the unit occupies, there sure is a lot crammed in here: there are knobs for Input gain, Mix and Output, as well as a rotary switch where the user may select 16 different reverb types. There are six “Small” settings, seven “Large” settings, two gated reverbs and one awesome reverse reverb, which isn’t found on the Microverb II, the unit’s next incarnation. Trey Anastasio uses one of these, and while his is in a rack, the housing is certainly robust enough to where another pedal (or the Microverb’s own defeat switch, or both) can be placed atop it with little concern or difficulty. The only drawback is the strange power plug. It’s a nine-volt AC “headphone plug” type. Thankfully, there are many replacements available should a unit not come with one. “THERE ARE KNOBS FOR INPUT GAIN, MIX AND OUTPUT, AS WELL AS A ROTARY SWITCH WHERE THE USER MAY SELECT 16 DIFFERENT REVERB TYPES.” 16 TONE TALK // TheUnderrated, 20 Second Most Cheap, HatedAnd Effect: Discontinued The Best Flangers Pedals: Ever Part Made 2