Tone Report Weekly Issue 138 | Page 54

STONE DEAF FX FIG FUMB REVIEW BY DAVID A. EVANS STREET PRICE $225.00 Fee-fi-Fig-Fumb—I hear the sound of an English fuzz. That’s right, Stone Deaf’s new Fig Fumb fuzz pedal is loud enough to be heard “across the pond.” But it’s also outfitted with a very useful EQ and noise gate. Not only is the Fig Fumb one of the loudest fuzzes I’ve yet tested, it’s also one of the sturdiest. Seriously, this thing could double as a 747’s chock in the morning and still make it to the show that night. As I said, the Fig Fumb is loud. It has the power to make one’s amp roar. In fact, I had to turn down my amplifier to its lowest level simply to avoid bothering 54 GEAR REVIEW // the neighbors. The fuzz isn’t exactly messy, nor is it noisy, but it’s not going to provide the ultra-smooth, cello-like tones that some people treasure. What the Fig Fumb offers is a raw, somewhat gritty sound with a bit of electric edginess which, in my mind, connotes pure, unadulterated rock ’n’ roll. However, loudness is only the first of the pedal’s virtues. At lower levels, the Fig Fumb provided a comfortable amount of compression, which helped me to tease out some notes for a little longer than they would otherwise ring out. It was a nice touch. At the Stone Deaf FX Fig Fumb high levels, the Fig Fumb provided a crazy amount of sustain. I struck a note and let it ring out for 25 seconds, which is more than enough for my needs. Fretted notes rang out for a little less time, but they were admirably long. Of course, I’ve said all of this without really touching on the fuzz when it’s filtered, and that by playing with the filters a person can get thin fuzz, AM radio fuzz, and even a sound that’s a bit like the thrumming of a Uni-Vibe. Stone Deaf calls the Fig Fumb a “paracentric fuzz filter.” Don’t get hung up on the terminology, because