Tone Report Weekly Issue 132 | Page 27

everywhere to modify the Bigsby. I did a record with Bill Nelson and played the Gibson ES-345 that he used with Bebop Deluxe. While the guitar was old and had some tuning issues, the spring had broken-in to the extent that you could do dive bombs. A friend referred to it as the hillbilly Floyd Rose. You could even do extreme pullups without the spring falling out. I got springs from everywhere from motorcycle repair shops to home improvement stores and finally found one that wasn’t the right diameter but worked great. I sent it to Joe and asked if he could duplicate it and he did. So that’s what Reverend is calling the soft-touch spring. And now there’s nothing you can do with a Strat or Jazzmaster style tremolo that you can’t do with that Bigsby. PHILLIP: The Cure records always had a lot of chorus and flange sounds. What are you using for modulation? REEVES: I’m using everything from an old purple Boss Dimension C or D, to an Alexander Effects Flanger. Those guys were nice enough to come up to me at NAMM and say “We’re huge Cure fans and one of the reasons we make a flanger is because of them. Can I give you this?” He didn’t give me a card or anything so I had to find him through his website to thank him and it really is the most amazing [F.13] Flanger I’ve used. And then I’m also using a TC Electronic Chorus, a modded Line 6 DL4, and a TC Electronics Flashback x4 and sometimes the TC Electronic Alter Ego. “WITH THE CURE, WE’RE LOOKING AT 30 YEARS OF MUSIC AND MAYBE 100 ACTIVE SONGS. ANY NIGHT, WE COULD BE PULLING SONGS FROM THROUGHOUT THE BAND’S HISTORY SO MY PEDALBOARD HAS TO GIVE ME A BIG ENOUGH PALETTE SO I CAN DO THAT.” For amps, I’m primarily using Hiwatts or in the trio a Hiwatt-based amp built by a company called Reeves, coincidentally enough. For my main amp wth The Cure, I’m using two Audio Kitchen custom heads. I’ve always wanted a Class-A amp that could get loud but stay clean and so he built an all-Class-A amp based around three KT88 tubes that are rated (modestly) at 50 watts. And I’m playing those through Hiwatt cabs ToneReport.com 27