Tone Report Weekly Issue 128 | Page 52

CHASE BLISS AUDIO SPECTRE REVIEW BY SAM HILL STREET PRICE $349.00 I don’t remember much about the first flanger pedal I tried other than the fact that I didn’t like it. It looked crazy, felt cheap, and sounded terrible. It produced a tone akin to a jet takeoff, if that jet contained all of the lead singers from every terrible ‘80s band hopped up on cocaine and booze trying to sing all of their anthems at once. Needless to say, it was not a pleasant experience. If you’ve experienced similar trauma, I’m here today to tell you there’s something that can help you heal: The Chase Bliss Audio Spectre. The Spectre is a versatile, full52 GEAR REVIEW // featured analog flanger with some serious tweaking capability courtesy of advanced digital controls. If you’re familiar with other offerings from Chase Bliss Audio, you know you have plenty of tone shaping options available. six knobs, three toggle switches and 16 DIP switches allow you to tailor flange tones exactly to your liking, as well as the ability to store a pair of presets (you can save many, many more with MIDI) onboard via another switch. If you can’t find the flanger you’re looking for inside the Spectre, then it probably doesn’t exist. It’s impossible to cover Chase Bliss Audio Spectre every single control function in the space of this article, so just know that you can get every possible flanger sound your little heart desires. The DIP switches offer extended functionality, and Spectre’s MIDI capability ensures that you can save all the cool sounds you discover as you turn knobs and flip switches. While this is a powerful device, and it does require a learning curve to get the most out of it, it’s still a user-friendl y pedal, and it has tap tempo—because we all love tap tempo. Despite an intimidating control set, I found it easy to dial in great sounds