Tone Report Weekly Issue 128 | Page 34

DigiTech expanded upon it and made a standalone pedal of the same name. Let’s dig into the sounds. The biggest selling point of the iStomp is possibly that the reverb sounds come courtesy of Lexicon. Yes. Exactly. You get the classic Lexicon Hall reverb sound that has been used on countless recordings. And it sounds as great and expansive as you remember. It sounds so good, that I’ve been tempted to use the iStomp as outboard gear and run vocals and drums through it. I’ll be honest, a lot of what I use the iStomp for is reverb. There’s a fantastic spring reverb call Spring Tank with controls for Mix, Tone, “Twang,” and “Boing.” It might not sound quite as perfect as some standalone reverb pedals, but it’s pretty surf-tastic. I can give equal praise for the Plate and the Angelic Choir. The Plate is just a fantastic studio sounding plate reverb, and the Angelic Choir does “shimmer.” I don’t shimmer often, but when I do, it’s Angelic. Since we’re talking about space-based effects, we can move along to delays. The iStomp offers five delays ranging from tape simulations, to bucket brigade analog, to all-digital. It’s worth noting that all of the delays can be adjusted 34 TONE TALK // with tap tempo. Just hold down on the foot switch until the LED starts flashing and then tap in your tempo. Once done, hold the switch down until the LED stops flashing. Getting back to sounds, my favorite of the bunch is the Vintage Tape Delay. It offers controls for Time, Repeats, Sat[uration], and Level. It’s that Sat control that makes this model shine. It gives the effect of overdriving the tape and creates repeats that are dirtier and grainier than your dry signal. It’s great for separating the base tone from the repeats and is especially cool for slapback effects. The Vanishing Point is a great ‘80s style digital delay which allows for modulation on your repeats. You’ll love it for your next big power ballad. I mentioned bucket-brigade didn’t I? Well, there’s a model of a certain red, three-knobbed analog delay available in the iStomp. Sure, we could discuss how it’s odd that DigiTech chose a competitor’s analog delay rather than one of the old DOD analog delays, but we don’t have time for that. Instead, just know that if you want a warm, dark, washy analog delay that runs only from 30–310 milliseconds, the DM Delay has you covered. DigiTech iStomp: The Best $50 You’ll Ever Spend