Paul C Timmy
What is it with overdrive pedals designed by guys named Paul with last names that
start with “C?” I don’t know, but I hope we get more. The Timmy might be the most
versatile pedal in this list. It offers external and internal controls for multiple clipping
options and the op-amp is socketed so players can experiment with multiple types.
The magic of the Timmy lies in its clever EQ array. The Bass control is pre-drive, the
Treble control is post-drive, and both controls are wired in a way that probably feels
backwards to most—they cut their respective frequencies as they’re turned up. All of
the way down (7 o’clock) is full frequency. All of the way up (5 o’clock) is full cut. By
placing the Bass control prior to the overdrive circuit, users can limit the amount of
lows entering the circuit and tighten the response by dialing back the Bass or create a
squishier, more compressed distortion by pushing the Bass frequencies. Placing Treble
after the dirt section, allows players to surgically sculpt the highs so that they are
present without being the aural equivalent of an icepick. It’s magical, really it is.
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TONE TALK //
5 Cult Classic Overdrives for your Collection