Tone Report Weekly Issue 106 | Page 72

KEELEY ELECTRONICS MEMPHIS SUN REVIEW BY SAM HILL STREET PRICE $179.00 If there was a Mount Rushmore-esque effigy dedicated to guitar pedal builders in the modern era, it seems likely that Robert Keeley’s likeness would be carved into stone. From modded Tube Screamers and Boss pedals to unique original designs, Keeley is one of the leaders in superb stompboxes available for musicians today. The company even practices creative cooperation, the likes of which can be seen by a collaboration with JHS Pedals in the Steak and Eggs. One of those unique designs, the Memphis Sun, sets out to achieve lo-fi reverb and echo sounds 72 GEAR REVIEW // à la ‘50s Sun Studios, the Memphis, Tenn. landmark that saw iconic artists such as Howlin’ Wolf, Junior Parker, Elvis and Johnny Cash write and record there. Room delivers room style reverb. The knobs are labeled Time, Regen/Mod, Reverb, and Mix. The pedal is powered by a nine-volt adapter. Arguably much smaller than an actual recording studio, the Memphis Sun is conveniently compact and features four knobs along with a three way mode selector switch. The first mode, Echo 600, imparts echoes up to 600 milliseconds in length, as the name implies. The second mode, Sun, achieves the signature double tracking and slapback sounds as the legendary studio recordings. Finally, In Echo 600 mode, delays are warm and fade away into the background after a handful of repeats. It’s important to note that this is not intended to take the place of your favorite delay pedals; it is tuned with a vintage voice and does not act like a standard delay pedal does. There are no unlimited repeats that crash into a wave of oscillation, but this isn’t a bad thing—the Memphis Sun is refined. The Time Keeley Electronics Memphis Sun