Tone Report Weekly Issue 106 | Page 34

Hiwatt was the brainchild of former Mullard employee Dave Reeves, and is known until today to be one of the toughest, baddest, loudest, meanest, and cleanest amplifiers. Their unmistakably British character of a punchy and thick response was one of the signature sounds that helped drive the British Invasion across the ocean. Dave Reeves and his family had close relationships with many of the users of the amps, and there are stories of the guys from The Who, Pink Floyd, Jethro Tull, and many other big names hanging out in the Reeves family living room! Behind many of the biggest acts of the ‘60s and ‘70s you will undoubtedly see that familiar white badge. Unfortunately, Dave Reeves suddenly passed away in 1981, leaving the company in limbo and sending the Reeves family into a spiral of lawsuits and generally dirty dealings. The “official” name has switched names 34 TONE TALK // and owners more times than anyone can count, and is now in the hands of Music Ground in the UK. These “official” amps however, while not being bad amps, are not built to the same standard as the Dave Reeves originals. There are many unsolicited “clones” of vintage Hiwatt amps claiming to get you that classic tone only a vintage Hiwatt can provide, however there is only one endorsed and approved by the Dave Reeves family, which is Hi-Tone Amplification, out of Columbus, Indiana. Users of Hiwatt amps: Pete Townshend, David Gilmour, Keith Emerson (used them to power his Hammonds and Leslies), Jethro Tull (both Glenn Cornick and Martin Barre used Hiwatts on a good chunk of Jethro Tull’s discography until the ‘80s.) A People’s Guide to the Gear of the British Invasion