The Woolly Mammoth is contained in a
luxuriously hand-painted enclosure, and
includes a lifetime warranty by Z. Vex for
any problems you may encounter along the
way. While the price is a little steep, I know
how to appreciate a good fuzz. The Woolly
Mammoth really lives up to its namesake,
providing gobs upon gobs of gloriously
fuzzy mess. The 7 version of this pedal
varies from the standard with a unique EQ.
According to Z. Vex, the three-band EQ is
inspired by a Marshall-style tone stack, which
means it is heavily mid focused. Most silicon
based fuzzes can be quite scooped, but the
Woolly Mammoth 7 really takes precedence
over its previous incarnation by giving you
insane amounts of control over desirable
“byproducts” of the fuzz that are usually
unpredictable. The EQ is subtle, and is a more
of a sub-EQ within the middle frequencies
(not surprising, as it is a Marshall tone stack).
This tone stack can be taken either in or out
of the circuit, essentially making this a twochannel fuzz. Without the tone stack, the
pedal is a little more focused and less boomy,
but it lacked some complexity that the tone
stack added in the mids. The Wool control is
the amount of fuzz introduced into the circuit,
but it starts to get interesting with the Pinch
control. The Pinch control, according to the
manual, controls the pulse width of the fuzz, a
control I have only ever seen on synthesizers
until now. While the logistics of pulse width
are entirely different in a synthesizer context,
in the fuzz context it yields some interesting
results. The more this setting is cranked,
the more the fuzz is crushed down and
gated, almost like a bitcrusher. This setting is
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