Tone Report Weekly Issue 102 | Page 56

MODTONE FLEXTORTION DISTORTION REVIEW BY DAVID A. EVANS STREET PRICE $79.95 It’s unfortunate that many simple, “bread and butter” distortion pedals fail to attain true greatness because they lack that most essential of sonic sculpting tools: equalization. Well, ModTone has done its homework and aced the test with its new Flextortion distortion pedal. Not only does the Flextortion offer “supreme distortion,” but it’s actually a supremely useful distortion: its EQ gives this effect an unusually large range of distorted tone. From thick and heavy, to light and tinny, from contemporary to old-timey, 56 GEAR REVIEW // the Flextortion will cover the gamut of possible distorted tones. The distortion itself has a tight, buzzsaw-like quality, particularly when the Gain knob is set to around noon. Open string chords, and first position chords resounded with harmonic richness. The Flextortion’s tone really complemented the “rounder” output of a neck pickup, although a more cutting yet never shrill sound could be obtained with the neck pickup. This pedal is also loud. In testing, this writer found anything above 9 o’clock on the Level knob caused him to worry about Modtone Flextortion Distortion complaining neighbors. Although the Flextortion is loud, it’s not necessarily going to be an “all-out, all the time” sort of pedal. ModTone rightly claims that the Flextortion features “medium to extreme gain,” but in practice, dialing in a restrained sort of tone wasn’t a problem. Even better, the Flextortion produced the sort of tone that could cut through a wall of noise without trouble. Solos sounded particularly good, as did some basic blues-based vamps. Perhaps best of all, the Flextortion didn’t highlight every little