Tone Report Weekly Issue 101 | Page 39

N ever have so many gained so much from so little—the Dallas Rangemaster falls squarely within the old school of effects where players were happy to have something, anything as a tone enhancer. These circuits used mythical germanium components because silicon semiconductors were but a glimmer in the eye of engineers everywhere. Oftentimes, these old circuits used very few parts, and there’s little else simpler than the original Dallas Rangemaster. Including the potentiometer, there is a total of nine components in the Rangemaster. Unfortunately, one of these is a mythical germanium transistor, and your nerdy DIY friends have often lamented at the inconsistency of these components— they’re sensitive to heat, the gain and leakage are all over the place, and they’re expensive. Buying them in bulk is often thought of as the genesis of the term “mixed bag.” Furthermore, original Rangemasters are positiveground effects, switching the positive and negative power terminals—it’s madness! Up is down, down is up; dogs and cats, living together! Fear not, curious DIY reader, you can and will make one of these. Let’s go down the list of famous treble booster users: Eric Clapton, Brian May, Tony Iommi, Ritchie Blackmore, Martin Barre, Marc Bolan and others. These players, much like yourself soon, used it to push the front end of their amps for a lovely overdriven tone that made solos jump out of a mix. The original came in a “table-top” enclosure with no footswitch, instead these pedals sat on top of players’ amps and had to be activated via a toggle switch. Luckily, we’re not going to do this. The originals were battery-powered, and we’re not doing that either. You may have heard that positive-ground circuits like this one can be powered only by battery. This is false. By wiring a DC power jack in reverse, players can power these effects with an ISOLATED power supply. Daisy-chaining with a pedal like this will cause some serious damage. That said, there’s a disclaimer in play here: Neither I, nor Tone Report Weekly bears any responsibility for any kind of personal or property damage that may occur as a result of the instructions provided herein. Legal mumbojumbo aside, we ask that readers be familiar with a soldering iron and its accompanying safety procedures before trying anything listed here. Furthermore, if your build doesn’t work, you may need to troubleshoot it; I built the pedal according to these instructions and it works, so I know the instructions are correct. ToneReport.com 39