Tone Report Weekly 202 | Page 33

op-amp buffer and cab sim a full 18-volt headroom when a standard nine-volt power supply is used. The inverter stops the buffers or the cab sim from being clipped, even when the Getaway Driver has its output volume cranked. Also, because of the biasing of the single ended part of the circuit, the overdrive took on an EL84 type quality when used on a nine-volt supply and an EL34 type quality when used on a 12-volt supply. I wanted the pedal to have a ton of output level so that it could push the input of an amp really nicely. I also wanted the pedal the issue of having three single-ended JFET to bridge the line between overdrive and stages being out of phase, so I ended up distortion. Overdrive pedals historically using half of a dual op-amp for the input sound lousy when used into a clean amp but buffer, using the other half as an inverting can sound good if the amp already has some output buffer. This meant that the bypass hair on it. Distortion pedals on the other didn’t lose any signal whatsoever and the hand cancel out some of the amp distortion inverting output buffer put the gain structure and only really work well into a clean amp. of the pedal back in phase. The Getaway Driver gives you the best of I also wanted to add an analog cabinet both worlds in the way that it works well simulator to the pedal so that this came into either a clean amp or an amp with some out on a separate output jack which could drive dialed in. also be used to drive headphones. I used a It also never gets lost in the mix like many second dual op-amp for this. pedals with limited output headroom often Also, due to the asymmetric clipping nature do. This is really noticeable when playing of the gain structure, I realized I could with a drummer and bass player. Some probably do with more headroom on the op- pedals actually get quieter when engaged. amp stages. The last small addition I wanted to add to I added a charge pump to invert the voltage the design was an internal DIP switch to which generates up to -12 volts in addition tame the top end when used on amplifier to the maximum 12 volts. This gives the clean channels that have a treble bleed ToneRepor t .com 33