Tone Report Weekly 199 | Page 13

The Fender Telecaster in its stock form is one of the most versatile guitar designs of all time. It’s tempting to think of it as being somewhat primitive—given the degree to which the electric guitar has advanced technologically and ergonomically in the decades since it was first released—but the fact is that a standard issue Tele can still do just about anything asked of it. It can quickly and easily make itself at home in a diverse range of musical environs, from country and classic rock, to jazz, indie, and hardcore punk, among many others. As an illustrative example of its tonal flexibility, consider the fact that the Telecaster used by Jimmy Bryant to record his 1952 twang-shred classic “Pickin’ The Chicken” is for most intents and purposes the same instrument Kim Thayil used to record the gargantuan, down-tuned metallic grind of Soundgarden’s “Mailman” in 1993. The original Tele, with its classic single-coil pickup set and three-saddle ashtray bridge, can certainly still hold its own among modern guitars, but with some modifications to the stock setup it can cover even more musical ground. It has long been a popular blank slate for wild-eyed guitar modders to work their alchemy, and over the years many proper Fender models have also been produced with different pickup options, different hardware, and altered body designs, among other performance and aesthetic tweaks. Many of these official Telecaster variants have become quite popular in their own right. Some are closely associated with particular artists, while others have earned their keep simply by adding an extra dash of usability, musicality, or flair to the venerable Telecaster format. What follows is a quick and handy field guide t