Tone Report Weekly 198 | Page 38

the start, with Richie Havens stalling for time by performing an extended improvised set until he finally limps off stage, his daishiki drenched in sweat. What makes up for it are one-of-a- kind moments that could never be replicated, like the sun rising on the Who performing “We’re Not Going To Take It,” Hendrix playing “The Star- Spangled Banner,” or Michael Shrieve’s epic drum solo during Santana’s set (also Pete Townshend clocking Abbie Hoffmann in the face with his guitar). That’s only scratching the surface of legendary artists who all got together in one place for three days, truly living up to the sixties promise of peace and love. We’d also be remiss to not mention the ongoing story about the Port-O-San maintenance man, a hero for many fans of the film, making sure there are sanitary conditions for all 500,000 concert goers. 38 TONE TALK // THE LAST WALTZ A decade after they broke off from Bob Dylan to form their own group, folk- rock legends the Band decided to go out on a high note with a final concert on Thanksgiving Day in 1976. Legendary filmmaker Martin Scorsese was on hand to capture what became a five-hour performance, and it’s a testament to how loved the Band was in the industry considering the artists who showed up to say good-bye. On top of Dylan himself you have Joni Mitchell, Eric Clapton, Neil Young, Dr. John, and showing stealing performances by Van Morrison and Muddy Waters. The film would be criticized later for its focus on lead guitarist Robbie Robertson (Scorsese’s inept interviewing would later inspire Spinal Tap) but it’s all worth it for the encore performance of “I Shall Be Released.” The 10 Best Concert Films Ever Made