Tone Report Weekly 197 | Page 41

Jackson Soloist Before the 1984 release of the Jackson Soloist, the production superstrat game was mostly limited to instruments that were copies (more or less) of Eddie Van Halen’s original design. The Soloist changed everything. It was the superstrat redefined, embodying a fully realized vision of the “strat on steroids” concept. Ironically, to get to this state it actually became more Gibson-like, making use of premium body and neck woods like mahogany, sometimes paired with an arched flame maple top. It also pioneered the use of neck-through construction, reminiscent of the Les Paul’s set neck, adding sustain and resonance while improving upper register access. It was also around this time that 24-fret fretboards (usually ebony) became standard, allowing guitarists to reach the full second octave with ease. Floyd Rose vibratos were standard too, with further options for Kahler bridges or a string- through-body design. In fact, everything from pickups to tuners to the finish was totally customizable with the Soloist, marking it as the true top-shelf superstrat of its day. The Jackson Soloist remains popular, and vintage USA models with premium features can sell for many thousands of dollars. ToneReport.com 41