Tone Report Weekly 197 | Page 39

Frankenstrat Eddie Van Halen’s Frankenstrat is widely considered to be the prototype for all superstrat style guitars that followed, so naturally we must discuss it first. As previously mentioned, Eddie’s goal in building this guitar was to combine the best aspects of a Fender Strat and a Gibson Les Paul. He preferred the feel and lighter weight of the strat, as well as the vibrato capabilities, but wanted the hot, burly tones of a Les Paul. He was able to buy a thin, fast maple neck and factory-second ash Strat replacement body from Southern California’s Boogie Bodies, which he married to an original Floyd Rose locking vibrato system. His Gibson PAF pickup would come from an ES-335, and he screwed it directly to the new guitar’s body at a slight angle to compensate for the string spacing difference. He wired it in a similarly primitive fashion, with a single volume potentiometer completing the control set, and the rest is history. It was a revolutionary act that would change the guitar business forever, and before long manufacturers were copying Eddie’s hacked together, homebrewed shred machine. ToneReport.com 39