Tone Report Weekly 192 | Page 38

THE JOURNEY The final total for Boston’s debut (a virtual copy of the original demos) ended up costing only a few thousand, far less than what other pop recordings cost at the time. As much as we’ve talked up the process though, it would all be for nothing if Scholz didn’t have a lot of talent to back him up and good songs to show. His stated goal with the band was to “create a perfect rock record,” and in that respect he succeeded, almost to his detriment. His perfectionist streak would create a revolving door of members (including Delp, before his tragic suicide in 2007), and in Boston’s 40-year history they’ve only managed to release six records. based off his sounds and designs. Perhaps the most humble yet most famous would be the Rockman headphone amp line, which is able to plug right into a mixing console for direct recording. This would create one of the earliest pre-digital avenues for clean, clear double-tracking, and the thick midrange chorus sound would be all over records by ZZ Top, KISS, and Def Leppard during the ‘80s. Scholz put his engineering skill to use though in his new music career, starting the Rockman line of amplifiers and effects 38 TONE TALK // Rock N’ Roll Band: What We Can Learn From Boston’s Debut Album