Tone Report Weekly 191 | Page 28

Slick SL50 Right behind Mick Ronson on my list of favorite Bowie guitarists is the mighty Earl Slick. Slick’s raw, textural approach gave albums like Station to Station a wild rock ‘n’ roll edge that perfectly offset Bowie’s coke-fueled mysticism and romantic inclinations. Besides his time with the Thin White Duke, he has also played John Lennon and Yoko Ono, The New York Dolls, Slim Jim Phantom and Glen Matlock, and many others. Recently Earl Slick partnered with Guitar Fetish on a line of Slick- branded guitars, including the model SL50, a badass and uniquely Slick take on the Telecaster formula. It features an excellent pair of hot vintage, sand- cast alni co Tele pickups mounted straight to the ash body, a raw brass billet wraparound bridge, 12-inch fretboard radius, 28 TONE TALK // Japanese ''Lawsuit'' Teles and a single volume control. The wood is all rough and raw with no filler or seal, and just a single thin layer of automotive paint sanded back down to almost nothing. The result is a no-nonsense rocker that rings and howls and comes to life in your hands. Best of all, the Slick SL50 sells direct for an unbelievable 209 dollars. This is an insane deal. Everyone Deserves a Telecaster: Five Low-Dough Teles In the ‘70s Fender experienced a slow and steady decline in quality and craftsmanship, and eventually sales as well. This was due in no small part to the sale of the company to the soulless, cost-cutting suits over at CBS corporate headquarters in 1965, and the subsequent departure of Leo Fender. They just weren’t makin’ ‘em like they used to in the ‘70s, and when guitarists couldn’t get quality Fender guitars from Fender itself, Japanese manufacturers stepped into the marketplace and filled the need. Adding insult to injury (at least from Fender’s perspective), these high quality Japan- made Strat and Tele copies were also way cheaper than the real thing. Many of these so-called “lawsuit” guitars are still around and just as great as ever. Fine Japanese Tele copies can be found with various brand names (or even no brand name) on the headstock, including Ibanez, Aria, Westminster, Raven, and Tokai, among others. The guitars built in the Matsomoku factory tend to be uniformly excellent, and can often be had for a few hundred bucks. ToneReport.com 29