Tone Report Weekly 190 | Page 33

Version) and Steve Lukather to name but a few. John Scofield: “I like the WaterFall pedal and use it a lot now. It does what my old chorus did and some cool new stuff that I’ve never heard before!” John Medeski: “I love the waterfall pedal I got from Nels [Cline]. one of the best pedals for electric piano I have found! It’s not just a sound effect, it gives you a sonic world to work with!” we were after, and at the same time took a couple of features further. Namely, it is an all-analog bucket- brigade design that functions either as a chorus or a vibrato (selectable via toggle switch), that features two modulation depth styles (also selectable via toggle switch), one formed after the ‘70s and another after the ‘80s chorus sounds. We also decided to increase the speed range, so that you can get more Leslie-type sounds and incorporated an internal trimmer with which you can make it even faster! The best way to sum up the WaterFalll experience comes from Neal, a customer of ours: “. . . it is a beautiful way to open your sound and your mind. Within the first minute of plugging in I was lost on a journey through my inner space. There were beautiful colors and tiny pink sea horses. Then I played with the switches, the seasick switches!” —Jannis Anastasakis We are extremely proud to have a chorus user of the caliber of John Scofield use the WaterFall for his chorus sounds as well as seminal keyboardist John Medeski, bass player Anthony Jackson (WaterFall Bass ToneReport.com 33