with four modes . . . from mode 1 which
would make any bluesy-rock player
happy, to mode number 4 which is, as
one customer told me a few weeks ago,
“Hillsong in a box.” I guess it could be,
but it’s really just some internal DSP
voodoo that makes the two effects feed
off themselves and create an ambient
tonal heaven.
All in all, it was about two years in the
making to get it juuuuuust right. While I
did display the pedal at NAMM about a
year too early, I just wasn’t 100 percent
happy with it at that time. So, we
tweaked, and tweaked, and tweaked
some more in order to get it perfect
before releasing it. I’m super proud of
it, I hope you love it as much as I do!
However, I wanted the “sweet spots”
of these pedals—those settings that
not only allow you to get lost in a
sea of ambient delay and reverb
voluptuousness, yet still have that
—Brian Wampler
one setting that gets you back to
hamburgers and hot dogs; meaning, the
good ol’ tried-and-true delay and plate-
style reverb tones.
To accomplish that, there’s several
controls, all easy to understand. You
won’t need a manual for this one, oh
no. Nope, you have separate volumes
for both the reverb and the delay,
a tone control which effects both,
the feedback control which not only
makes the delay repeat more, but also
lengthens the amount of reverb (going
to a full-on drone type of reverb), and
of course a delay speed. Lastly, we
have a handy little pushbutton switch
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