Tone Report Weekly 186 | Page 44

GEAR SPOTLIGHT GREUTER AUDIO FULLER DRIVE REVIEW BY DAVID A. EVANS STREET PRICE $290.00 Upon opening its box, I felt that I would like Greuter Audio’s new Fuller Drive. Perhaps it was the simple black-on-white design or the oversized, brushed aluminum control knobs. Or perhaps the pedal’s country of origin—Switzerland— suggested tone as big and majestic as the Alps. In the end, it was the Fuller Drive’s tone—its harmonic complexity, its texture, and—dare I say—its fullness that won me over. are complemented by a comparatively petite Tone knob. On the starboard side are two small toggle switches; one wonders if the Fuller Tone’s controls were intentionally graded from large to small for aesthetic or esoteric reasons. Perhaps, in a fit of inspiration, Greuter aimed to please to gods of tone, for whom irrational numbers and, therefore, dissonance are tantamount to blasphemy. The Fuller Drive presents the user with six controls, including the offset foot switch. Generously large Volume and Drive knobs Smoothness of effect is a chief quality of the Fuller Drive. Low Drive levels (below noon) required a boost of Volume, but the 44 GEAR SPOTLIGHT // Greuter Audio Fuller Drive subsequent coloration rewarded my ears with subtle break-up and delicate responsiveness to my playing dynamics. At high Drive settings, with the appropriate combination of toggle and Tone settings, the Fuller Drive surprised me with its cello-like—even fuzz-like— smoothness. The Fuller Drive produces a surprising range of overdrive tones depending upon the Tone knob’s setting. I particularly enjoyed the lower settings, for which much of the high- end had been rolled off. This thicker, warmer tone