Tone Report Weekly 181 | Page 11

In the summer of 2003, Lollapalooza would go on the road for what would turn out to be the last time before becoming a destination concert in Chicago’s Grant Park, a victim of a music business in transition. Jane’s Addiction is headlining to promote its reunion record Strays, but the kids in the crowd would slowly file out during their set. Perry Farrell and company had already been put to bed by Audioslave. It had been a long road for Chris Cornell joining up with the former members of Rage Against the Machine to form a new band. Management conflicts had almost killed the supergroup in its infancy, and Cornell himself was still reeling from the break-up of Soundgarden. Taking the stage with his bandmates however, he performs like a man possessed. It took all the voices in the room to top his. Chris Cornell was found dead in his hotel room after performing at a Soundgarden concert in Detroit, Michigan. Coroners ruled it a suicide. He was 52. Born in 1964, Cornell was raised in Seattle Washington, as one of six children. A high-school dropout, Cornell worked as a sous chef in a seafood restaurant until he began playing in bands in Seattle’s growing underground scene. Meeting up with bassist Hiro Yamamoto and guitarist Kim Thayil, they would eventually form Soundgarden, one of the seminal Seattle bands and one of the most successful hard rock bands of the 1990s. A one-man institution in the Seattle scene, Cornell would also form the band Temple of the Dog as a tribute to Mother Love A mic stand is somehow cleaved in half Bone singer Andrew Wood, who died of three songs into the set. The band shreds a drug overdose. Featuring the surviving through the new Audioslave material, teases members of Mother Love Bone (all of whom old Rage and Soundgarden songs, and would eventually form Pearl Jam) and future closes with a hand-clapping cover of White Soundgarden drummer Matt Cameron, Stripes’ “Seven Nation Army.” Halfway the band’s lone album would have massive through the show, Cornell pulls a tape success thanks to the single “Hunger recorder out his pocket. Strike,” a duet between Cornell and Pearl “I have a three year-old daughter,” he barks Jam’s eventual frontman Eddie Vedder. into the microphone. “And I want her to Soundgarden would be amongst the first know what her daddy does for a living! On bands signed to Seattle’s prestigious Sub the count of three, I want you to scream Pop label, releasing the Screaming Life EP as loud as you can.” Cornell holds up the in 1987. Eventually transitioning over to tape recorder, and on the count of three, A&M Records, its mainstream breakthrough the fans grant his wish, the walls literally would be the Terry Date-produced shaking in their response. Cornell chuckles Badmotorfinger. The album would have and turns off the recorder. controversy both for the religious-themed single “Jesus Christ Pose” (the music video ToneReport.com 11