we want to thank our great musicians
for their trust.” controls. Bold move. Why make the
decision to go that direction?
Let’s go deeper and found out more
about Anasounds. AE: This is a bet we’ve made with
early adopters. The first 50 Feed Me
users had three knobs, Feed, Fuzz and
Volume. When I asked them how they
configure the knobs, they all put them
at maximum and then they play with
their guitar volume.
TRW: Which Anasounds pedal was the
biggest surprise?
AE: The Bitoun Fuzz really surprised
me. Julien (Bitoun) showed me a big
sound he played in his album and
told me all the mastering he had to
make to get this result. I took on the
challenge and integrated two fuzzes
with a noise gate and a ring modulator
in a tiny pedal. The result is just mega
powerful—a kind of fuzz and distortion
without any noise. Really big and
impressive.
TRW: Speaking of surprises, your
Feed Me Fuzz has no external
As this is the best way to use the
pedal, we felt that it was time to give
to people plug-and-play pedals. Less
potentiometers means more creativity!
TRW: What’s the creative dynamic like
around the shop?
AE: This is easy—we ask to specific
musicians what they want in terms of
sound. Then we design prototypes
according to their feelings. That’s the
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