Tone Report Weekly 178 | Page 11

I can’t count how many times this exact situation has played out in my travels: Person A has some oddball pedal they consider to be his or her “secret weapon” and brags about it online. Person B knows this exact pedal, only when they played it, it looked a little differently. Both these people played the exact same pedal with different labels, but the big-time plot twist is that these pedals were often direct copies of other company’s circuits. If you’ve ever played a one-knob phaser from the late ‘70s or ‘80s, made by a company you’ve never heard of, you can bet your bottom dollar that it was a copy of a Phase 90. Most overdrives were Tube Screamers, most “distortions” were just Rats, and most choruses were CE-2s. So it goes. In this era, this happened all the time. There were quite literally hundreds of companies all cranking out clones of better-selling pedals, sometimes adopting the names of beloved brand names and flooding the Western market. Back in those days, “Made in Japan” wasn’t exactly the trademark of manufacturing quality that it is today, and any company could throw down a few bucks and develop a whole line of pedals without actually having to do anything. “There were quite literally hundreds of companies all cranking out clones of better- selling pedals...” pseudonyms was anything but; the pedal was also manufactured under the brand names Redson, Studio Series, Gig, Loco Box, and PowerVoice. And it wasn’t just this model—there were tons of them, sold under many more names. Korg and Yamaha shared identical enclosures; cats and dogs were certainly living together in this time period. Sadly, some of these companies had true- blue engineers on staff, working hard to provide you with original, great- sounding effects, and too many truly fantastic pedals drowned with If you’re wondering why these pedal lines, many companies like Pearl and of which you’ve never Washburn have old pedals heard. It’s time to put floating around, now on the scuba gear and you know—and many of rescue these relics from these companies shared the shipwrecks their lines enclosures and other became, and here are the telltale components such eight best. as knobs and switches. Take for example, the Cutec AD-01 Analog Delay. This pedal was a standard analog delay, but its breadth of ToneReport.com 11