Tone Report Weekly 174 | Page 13

While it might seem like the “new kid in town,” Reverend has been quietly building guitars for a long while. So long in fact, that 2017 marks the company’s 20 th Anniversary. The company was established in 1997 by Joe Naylor (you might know his name from the amps) in an East Detroit garage. Joe is a graduate of the Roberto-Venn School of Luthiery and his early guitars were sort of a modern take on the Danelectro theme with Korina center clocks, Formica tops, and polymer sides. If you haven’t played one, you are missing out. In the mid-2000s, Reverend expanded its line-up to include a line of more affordable guitars that were made in Korea but set up in the US. In 2007, they discontinued the US- made guitars and to this day focus exclusively on guitars that are built in Korea and setup in the US. In 2010, long-time employees Ken and Penny Haas bought the company, freeing Joe to focus on designing guitars (and pickups, and whatever other inventions he conjures up). I had the pleasure to talk with Ken Haas about the history of Reverend, the details of their guitars, the artist selection process, and what the next 20 years of Reverend might entail. Phillip Dodge: I first learned of Reverend in 2004 or 2005 when a friend who lives in Detroit turned me on to you guys. I bought my first Reverend (a USA Slingshot Custom) in 2006. I quickly added more over the years, but at gigs, no one ever knew the brand. Now it seems like just in the last two to three years your brand recognition has exploded. How did you achieve that? Ken Haas: A combination of product, high profile artists, and marketing. We’ve always had great artist relations, and the pleasure of working with Ron Asheton, Pete Anderson, Rick Vito, Reeves Gabrels, the Jacksons, the Decemberists, Fu Manchu, and many, many others over the years. The last few years have seen Reeves joining the Cure, the launch of the Billy Corgan model, and lots of younger bands—the Sword, Code Orange, Neck Deep, Defeater—joining the crew. Add to that the Meshell Ndegeocello Fellowship and Mike Watt Basses, and we’re a powerhouse out on stages around the world. It’s gotten to the point where there are too many to list. And our marketing has improved vastly in the last four or five years. We’re working with a firm in Detroit called Driven. Joe’s daughter is actually a graphic designer there. And having a professional firm do our advertising and branding makes a real difference. We now have great materials and tag lines and our advertising presence is much bigger than before. PD: You are celebrating your 20th anniversary, how many Reverends now exist in the world? Roughly how many are being built and sold per year now? KH: As of March 17, 2017, there are 27,920 Revs on the planet. We’re making roughly 3,500 a year. PD: How has that number increased over the last five or so years? ToneReport.com 13