The World of Hospitality Issue 14 2016 | Page 25

John Levy Lighting productions inc the use of color and it was not until Vegas did I find a group or architects who revelled in breaking boundaries and saw the wonder of combining color and music”. The technology challenges were mere difficult we were continually modifying existing theatrical lights or inventing new ways to use them; color changing was even more difficult. For instance, the pylons at Bally’s entry used red, blue, green, neon individually controlled and color mixing was able to create about 250 discernable colors which we then choreographed to original musical scores. The advent of color changing LED lighting opened up a whole new world of design opportunities for innovative creations, such as the Statosphere Tower, the world’s first major installation of LED lighting. In his role as creative director, John’s work further explored the blending of lighting, music and video for projects such as Harrah’s Masquerade Tower in New Orleans, Casino du Montreal in Canada, the Isle of Capri in Coventry, UK, as well as covering the complete facades of Harrah’s Atlantic City. During this period, produced and directed more than twenty five music, videos, as integral part of the attractions. Additionally, John continued his collaboration with public artist Caryl Christian and their latest work website: www.jllp.net the World Of Hospitality 25 “Sonic Wall”, a bas-relief lighting performance over 120 meters long and 10 meters high is a true Tour de Force. Born as WWII drew to a close and in Europe’s grim aftermath, John often jokes: “I was born in a black and white world; movies, TV & magazines were all black & white as well as Europe’s buildings, so I wanted to change that. I tried by the use of light in all its forms to not only enhance the architecture but add another layer to engage and entertain the viewer”. After reviewing his more than a thousand projects worldwide, it’s clear John met those goals.