The Women's Work Issue Women's Work. Pen and Brush. 2019 | Page 6

3 contributors ERIN HANEY TAO LEIGH GOFFE Tao Leigh Goffe is an Assistant Professor of Africana Studies and Feminist, Gender, and Sexuality Studies at Cornell University. She teaches courses on vernaculars that emerge from histories of imperialism, migration, and globalization. Her research examines visual, sonic, sensory, and ghost cultures across the Americas. MARISA LERER Marisa Lerer is an assistant professor of art history at Manhattan College, where she teaches courses in modern and contemporary art. She specializes in Latin American and Latinx art, public art, and memorials. Her interest in art and social justice movements are reflected in her publications, which have appeared in the journals Public Art Dialogue and Visual Resources, among others. She has been honored with fellowships from Fulbright, New York University/Le Centre national de la recherche scientifique, and CUNY’s Center for Place, Culture and Politics. She is currently working on a book examining memorials to Argentina’s victims of state-sponsored terrorism. Erin Haney covers art, photography, media histories, activism, and creative institutions internationally. Her recent book, Priya Ramrakha: The Recovered Archive (Kehrer, Heidelberg, 2018), is part of an ongoing collaboration that includes traveling exhibitions of Ramrakha’s photography in Johannesburg, Nairobi, Arles, and the U.S. Prior, she curated Sailors and Daughters for the Smithsonian’s National Museum of African Art and is the author of Photography and Africa (Reaktion, London, 2010). Haney currently teaches in the Washington, DC area and is a Research Associate at VIAD, University of Johannesburg. pen + brush Pen and Brush is a 125-year-old publicly supported not-for- profit fighting for gender equity in the arts. Pen and Brush provides a platform to showcase the work of female artists and writers to a broader audience with the ultimate goal of affecting real change within the marketplace. We encourage and mentor emerging professionals and aim to expose the stereotypes and misconceptions that perpetuate gender- based exclusion, lack of recognition, and the devaluation of skill that is still experienced by women in the arts. At Pen and Brush, we believe that art and literature created by women deserves to be recognized and valued on its merit – not judged by the gender of the maker. [www.penandbrush.org] ISABELLA ELLAHEH HUGHES Isabella Ellaheh Hughes’ career spans the arts, culture, agriculture, and entrepreneurship. She is the co-founder and Director Emeritus of Honolulu Biennial Foundation (HBF) and President and co-founder of Shaka Tea. A frequent juror in the arts and contributor to exhibition catalogues and publications, she has written for ArtAsiaPacific, Frieze, Harper’s Bazaar Art Arabia, Barjeel Art Foundation, Singapore Art Museum, Aga Khan Museum, among others. She is also the editor of the monograph Sand Rushes In: Sama Alshaibi (Aperture Foundation). Hughes sits on the board of HBF and the Hawaii Technology & Development Corporation, and is an advisor for the Terasaki Conservancy. OF NOTE MIRIAM ROMAIS Miriam Romais is an arts professional, curator, and award-winning photographer whose work addresses topics of home, community, feminism, labor, and food politics. She has exhibited at galleries and museums throughout the U.S. and abroad, including El Museo del Barrio, Museum of the City of New York, and the Smithsonian Institution. For 23 years, Romais was the director of En Foco—a nonprofit that supports U.S.-based photographers of Latinx, African, Asian, and Native American heritage—and editor of its photographic journal, Nueva Luz. She’s currently the Marketing & Strategic Development Advisor for the Center for Photography at Woodstock, and Partnerships Manager for The News Literacy Project. about us OF NOTE Magazine is a nonprofit arts journalism initiative and free online magazine where art meets activism. Founded by Grace Aneiza Ali in 2012, its issues have featured artists who are confronting gun violence against women, examining the experiences of Muslim women who wear the burqa, raising awareness for girls’ access to education worldwide, and more. We champion underrepresented artists, specifically women and artists of color, and writers from global regions who have limited opportunities because of social, cultural, geographic, or economic barriers. We also partner with higher education institutions to turn our issues into curriculum, bringing the work of global artists into the classroom. [www.ofnotemagazine.org]