The Score Magazine October 2018 issue! | Page 37

ARITRO GHOSH VIOLINS AND THEIR CLASSICAL SINFULNESS M usic, in itself is a fairly sinful pleasure to behold. Fairly massive, as we can’t live without it. Have you ever once seen a man or woman in the recent age who does not love listening to a song in their free time? Or just to create free time? No you have not. Listening to morbid, death metal music looks extremely cutting edge, but I believe that in a lot of ways it’s classical music that proves more sinful at times. You might be wonderivng though, as to from where I concocted this sudden differential. However it’s not new; it’s just a fact nobody really notices. Classical music, and not just Indian, but also Western; one of the pioneers of which is the Violin. In western culture, the violin is the baby of the String family, and the viola, it’s elder brother. Even though it is ranked the highest in terms of number of instruments played in an orchestra, at the same time, it still can act as a solo instrument which produces music that is enchanting. There are two types of violin, the First and the Second. First violins play the melody, while Second violins tend to alternate between melody and harmony; the magnificence of it all is witnessed on stage in a manner that may seem traditional, colorful, and sometimes even royal; but as you keep progressing into the depths of the tune, you almost feel hypnotized, like as if you’re part of the music. VIOLINS AND THE OPERA Classical music, of all cultures, wins a lifetime achievement award, while performing an enchanting encore from the other side of the river of tunes, for this very reason. Opera is way above at the top when it comes to genres wherein the violin is used to create it’s sinful magic. What a violin’s tune essentially does differently when you add it’s magic with the tireless A’s and D’s, is that it quickly restyles itself into something with a deeper level of understanding, with it’s wide tonal quality; something with a backstory and a life. Something that contains sin. The fact is, now, as the culture has slowly moved spaces; everyone is constantly in touch with these forms of music, and falling prey to the long hours of greatness. VIOLIN CULTURE IN INDIA If you’re an exceptionally big violin fanatic, or even a big opera fanatic, you know what I am getting at. Now even India has embraced the culture that comes with the violin and it’s bow. We have people from all round learning and playing it. Guitar is no more the primary instrument for the millennials in their pursuit towards the road of creativity. Young people form bands who not just play different genres of music, but merge, experiment and create more unique music. This makes way for instruments like the violin to make a strong entry into the field. The violin with it’s natural, suave tune bends into being part of so many different genres, and helps create so many brilliant songs. The solidity with which it has helped compose themes of different movies as well as beautiful boho music. IN CONCLUSION The violin’s tune is so sinful exactly because of that; wherein it is able to channel the uniqueness of each song, and bring out all the feelings that lay within. That’s why you’ll see the idea of a person playing a violin so harshly in anger. You’ll notice the deviousness when you realize that though he is playing so hard, the tune is so smooth. The chords of the violin mellows the darkness with it’s tune, but pushes you into the veins of the player’s emotions, or even your own. The Score Magazine highonscore.com 35