The Score Magazine October 2017 issue! | Page 24

SHREYA BOSE Tales from a Distant Galaxy (Mixtaped Monk): Blushing Satellite (The Union): 22 The Score Magazine highonscore.com As the name suggests, this Bangalore- based band is idiosyncratic, to say the least. Their music is languid, lush and leverages impulses to immerse oneself in good feeling. Their new album “The Union” ostensibly draws its thematic inspiration from multiple mythological and philosophical symbols: the coming together of Shiva and Shakti, Yin & Yang, Male & Female. It starts with a deep-throat chant that is common in various monastic prayers, and moves on to play with characteristic and uncharacteristic tones in novel melodic setups. The strings and drums and keys all meld into soft-yet- stimulating, soothing-yet-gripping musical tapestries. The songs revolve on easily identifiable concepts, and much like the progressions of human thought and emotion, they do not try to summarise ideas into easily digestible, radio-friendly nuggets. Rather, they let the music play out, following a certain wanderlust that would emerge from long hours of introspection. Rhythms can vary from minimalist to richly bombastic. “Divine Mother”, for instance, in its adulation of the divine feminine principle moves through diverse musical signatures- mimicking the cosmic impulse that it sings of. “Hide and Seek” is comforting, easy to get into (all thanks to that dimmed bass). My personal favourite is “Dream-Nightmare-Union”. Like its name, its moves from Lethe-like psychedelic relaxation to a carefully distorted paean to nightmare. The union comes after, when the soul has burned and bathed in trial and regret – a simple sheen of the saxophone, a frenetic pounce on the drums, mocking vocalisation of misplaced desires and consequent loss. This is followed by a sweet surrender to balance reflected in perfect harmony, the realisation that “It was just a dream”. The artist recommends that you listen to this album while imagining yourself as the protagonist of a sci-fi epic. I tried it, and I have to say, not half bad. Mixtaped Monk is known for experimenting with the expressive capabilities of instruments. In this album, he does not disappoint. The tracks all wallow in refreshing self-assurance. While they may not provide the ideal soundtrack to Dune or Solaris (common names for the epic sci-fi connoisseur), they do much to cause a mind drift. Think of yourself as interacting with a peaceful, cohesive intergalactic gathering that just wants to lie back and muse on definitions of God, and the songs fit right in. All of them have a similar progression, expressing a lazy distance from anything that might get you too worked up. It plays like a celebration of de-stress. I’m not saying I didn’t catch a glimpse of underlying doom in “Before Genesis”, but its self-indulgent tones are layered with such precise abandon that I can’t help but drown in it. “Inside Insanity” is a sneaky one. Collaborating with Cousin Silas, Mixtaped Monk turns this into a winding, pondering essay, but with a pungent little kick of distortion in the places. Try this if you are looking for something similar to Tangerine Dream or early Wilson, like Moonlop or Begonia Seduction Scheme, give it a whirl. By no means do I mean to establish an equivalency, but it might be something to explore if that is your thing.