The Score Magazine November 2017 issue! | Page 24

SHREYA BOSE Bison (Skrat): I have plenty of f-words for Skrat’s new album. Fierce. Fiery. Ferocious. Flamboyant. Flawless. I could go on, but my Editor frowns at my excessive use of allegory. The point, however, is that Skrat have outdone themselves. I never imagined that they would disappoint, but Bison does much justice to the oft-used adjective “epic”. I’m not sure what to exalt first – the crisp hooks and the addictive riffs, the spitting snarky words or the unending kicks of rhythmic adrenaline. The tracks move from ominous to facile to dystopian to frenzied. The songs are darker than their previous musical avatars, and sketch out a saga of devastation with biting satire. The Queen is in slumber. Chaos has arisen, and that means General Bison shows up to stir up some trouble. His intent? Wallop the population of “Skrat- verse” into sanity with some fire and brimstone. He’s the hero humanity needs and hopefully not one that it deserves. Yet. What never ceases to amaze me about this band is the consistent levels of energy they insist on maintaining in every track. Bison has no ballads; its all high- octane, exquisitely crafted hack-and-slash sentimentality. The band hijacks your attention and treats it like its personal phonetic stomping ground. I couldn’t pick a favourite, but “Raptor”, “Fireworks”, “Wake Up”, “Siren” and “Bison” keep coming up in the playlist. As Written in the Stars (Easy Wanderlings): Charming. A simple word, applicable to all kinds of things that may please the eyes or the spirit. You use it to talk about the guy who picks up the hat you dropped, the old woman who leaves some homemade pudding for your dessert, the sudden whiff of some childhood fragrance in the winter air, lazy spring afternoons, and this album. NDIE 22 The Score Magazine highonscore.com REVIE