The Score Magazine July 2017 issue - Page 26

SUPARNO SAHA Human Psychology behind Music Why do everyone tune in to music? In the course of recent decades, researchers have proposed various capacities that tuning in to music may satisfy. In any case, different hypothetical methodologies, distinctive techniques, and diverse specimens have left a heterogeneous picture with respect to the number, nature and purposes of music. Music listening is a standout amongst the most puzzling human practices. Most basic practices have a conspicuous utility that can be conce ]XHYH\Y[Y\\و\][[\X[ۋ[[H\Y]Bو\\[HXX\X[HXX\\H[Z[\]\X܈[Y[]X[YK][]K[\ ]\X›\[[\H[][[ۙH[[[\XܙX][ۘ[^\\\ˈ]\H[]\[\[[ۈ[]YX[Y[\^H^H^\[\˂HXY\\܈]\X\H\[Y[[Y[ [Z\ZXHY[XX]]Y\Y[H]HY[]Z[XB[XXۛۈ[\HۈX\ ][\]X]Yœ][]X L YX\܈[ܙKH\\][\˜[[Xو]\X\[]]Y[\\]H\\\]\X]Y[[[\X]K[Y\\\X\\]H[YX][X[[[Y[›و]\X[HHH\]X[\X]KH[ۜX[\و\HY]Y\܈X[][ۜ\BHۙ\]XZH[\]Z][]][ۘ\H\\ˈ[[H\K\H\HY][ۘ[H\ۋY]][ۘ\BY]Y\܈^[\KH^\[Y[[܈H\\˜[ܘ]YX][ۜ\X [[Y[و]\X\H[YX][HH\HY]Y\[X[][ۜ˂]\X]\]Y[\H[X[HZH[[Y[›وX[X \]\[ܙH\X\Y[H[Z]]HZ[X\\]\H[YY[[\][ۋ]\[Y[[ˈY\\و]\]\H[ Zۛۈ\قHX]\Y[XX\[K܈HX][YܙBBܙHXY^[BYۜܙKBPX[XH\X[H[ۚ^\]\[[]ܜ]HX]وH]\X Y\X[[B[XY[ K[Y[[X\]H[H[YX][\[܈H[\ X[H[]YX[[]\X[[[][ۜYX]X[]Y\܈^[\KYKY[]K[]X[]Y\ˈHX[\ܝ\X]Y[H\[ق\ۘ[]H[X[XH\ݙ\Y[]YX[\H[\\Y[][[\]HH[[HX[\]\XHHY\^\X[[\\ق]\XˈH[]YX[\H^ݙ\Y]HH[[BX[\]܈]\X܈^[\K [X[Y[\[ [[XۚX[[K]\X[HYو\H[و\\X[YY[ [Z[\H[XHYH\Y[H\X[Hܘ\œX\H[\]Y\ۈHܛ\[و[] \X[KXZ\H[H]\[[Y[وYX[[ˈH[X][ۂ܈]\X\]XYH\X]H\\H]\XœX\H8%H\X]H[X\]H][\[^[HY[K[[H\K\X\HYY[YBYH][وH[ܙ\Y[܈]\]H[[[ۘ[B\]]KH]\]X^K]]Z[K]\X[XZH\Y[ [H\HHܘX[\X[][[\[HقY][ܙX]H[\܈]\Y\Yˈ]\Y[[[ۜ]Y]]\X۝^\[ܜ[\\XXZ\\]\ܚX